He proudly wears his medals. The British wartime aviator Eric Clarke. Almost 97 years and guest of honour at the world première of a documentary about the emotions behind the excavation of warplanes. Hij was part of the RAF 49th Squadron, just like the crew who died when their plane crashed in Berkhout, in Noord-Holland. They were killed, he came back from 26 operations. ,,I probably had two little angels on my shoulder.
  ,,We were fighting for our country, for the survival of our country, for our 
  existance. Later on we were fighting for Europe.'' Eric Clarke keeps his hands 
  five inches apart. ,,Even now many people do not realize that we came that close, 
  1940, to being taken over by the Germans. We were that close by going the other 
  way''
  Clarke flew in Hampden, Manchester and 'the beautifull Lancaster'. Later on 
  he was an instructor, teaching young people to do the job of wireless operator. 
  He still puts much energy into keeping alive the memory, in and outside of Britain. 
  
  He is one of the last surviving veterans who were part of the Allied war machine 
  in World War II. A war that demanded 100.000 lives, among bomber crews only. 
  The 49th Squadron lost 955 people.
  Clarke have them in his mind, every day. 'In those days, statistically, the 
  life span of bomber air crew was six to eight weeks. I was on the squadron fourteen 
  months! What can I say. I allways said, I am a very lucky man. Luck was with 
  me all the time.'' 
  The documentary "Memories of Mud ', on which Raoul de Zwart and Arthur 
  van der Starre worked for nearly five years, highlights the human drama and 
  the emotions behind the salvage of the two-engined Hampden bomber in Berkhout 
  from all sides. 
  The film had its world premiere at the International Film Festival in Breda, 
  in the presence of relatives from both Ireland and England and other people 
  who where involved.
  It has become a poignant document.
  Impressive because the emotions are recognizable. But also because one realizes 
  that even today, on various places in the world, people die and relatives are 
  left behind in despair. 
The makers of the documentary 
  have chosen not to use voiceover or explanating texts. They arranged the scenes 
  - historical footage makes it exciting  in a way that 'pulls' the viewer 
  into the story. 
  The story shows a glimpse of the usually hidden craft of excavation warplanes, 
  but soon switches to the emotional side when it concerns the families involved.
  One by one they appear on the screen. 
  Margaret Walsh, the now 90 years old sister of the fallen Irish airgunner John 
  Kehoe, determined to fulfill the wish of her mother by bury him in consecrated 
  ground. 
  His British fiancée Mary Irving, who never forgot him ('I adored him'). 
  
  Irvings daughter Sheila Hamilton, who started an investigation to find out where 
  the missing 'Paddy' was. 
  The twin daughters of pilot Chris Saunders, who relived the grieving process 
  because of the excavation.
  And the mayor of Wester-Koggenland, who honestly admits that she was first against 
  disturbing the 'field grave'. She explains, she changed her mind when she found 
  out how long the Irish family has been trying to locate the plane wreck with 
  John Kehoe and how important it was for them to see him buried in a proper grave.
  Pictures of the memorial services in the meadow where the wreck was - holy water 
  on the grass - and the funeral with full military honor in Bergen make it complete. 
  
Eric 
  Clarke survived. He has a role in the documentary, allthough he didn't knew 
  Kehoe and the other three crew members of the Hampden P1206 personal. 
  But he belonged, with them, to a group of 20, 25 wireless operators / air gunners 
  who were deployed in the bombers at RAF Scampton, in Lincolnshire. All bomber 
  crew were volunteers. Clarke: "I was five, six years older than the average. 
  The younger people were 20, 21. For some, it was a great adventure. But the 
  older, more mature bomber air crew, they were more serious. We were professionally 
  trained to resist the enemy.'' 
  "The Germans had bombed our cities, 23.000 civilians were killed before 
  I even started bombing. I was professionally trained and I was now going to 
  do to them what they were doing to us. No, it wasn't a great adventure. We were 
  fighting for our contry's existence. I had a mission.'' 
  In the film he shows how a gunner was sitting who had the unlucky fate of being 
  pointed to the place in the 'tin', the bottom dome of a Hampden. The feet together, 
  knees up. 'In this position we sat for five hours, sometimes nine.'' 
  Immobile, the Vickers boardgun in his hands, in pitch dark to Cologne, Essen, 
  Wilhelmshaven. In a cumbersome bomber that was a relatively defenseless prey 
  for the German night fighter who were led to their goal by radar stations.
  The documentary shows touching scenes of a plane like the Hampden of Berkhout 
  that is shot in the belly by a Messerschmitt and crashes in a sea of flames. 
  
  Weren't the crew members scared? Clarke: "Everyone had a form of anxiety. 
  You had boys of nineteen who ate their nails. Tough guys who wrapped their fear 
  in bravado. But I can not say I was afraid. I never ever had any doubts somehow. 
  I've been trained to do a job, I was lucky and did my job well. You didn't think 
  about it. You just went. Bombing Essen, bombing Milan.'' 
  ,,Some boys in aircraft were saying the Lord's prayer before they went. The 
  catholics were crossing themselves all the time. I'm not catholic, I was Church 
  of England. But I couldn't reconcile that. I could not ask God to forgive me 
  for going to kill somebody. So in a way, you can say that in the war, I lost 
  my faith as such. 
  I recognize Christian principles, stick to the ten commandments. And yet I could 
  not pray, while around me I lost close friends and colleagues."
  ,,They were killing my people, destroying my cities. I had to do to do what 
  I could, to stop them.''
  As the credits of 'Memories of Mud' are shown, there is a long silence in the 
  cinema. Eric Clarke congratulates the makers of the movie. He thinks it has 
  become a special document. "It was wonderful, marvellous and important 
  for the future. In fifty years time people will still be able to see this movie. 
  History has been recorded.'' 
Bron: Noordhollands Dagblad, 27 maart 2010